Saturday, September 24, 2011

Drive


Movie
2011

The first words out of my mouth after watching this movie were "there's two hours of my life I'll never get back". Obvoiusly I didn't care for Drive.

I was really looking forward to seeing this movie particularly since the reviews on Rottentomatoes.com were so glowing. It received near universal acclaim with a 92% positive rating on Rottentomatoes.com, a nearly unheard of level of love. Being a sucker for happy endings and uplifting sentiments maybe this movie wasn't made for people like me.

I will go along with most critics that the performances by Ryan Gosling, Bryan Cranston, Albert Brooks and Ron Pearlman were solid. But the aimlessness and pregnant still shots made sitting through many of the disconnected scenes quite tedious. It's not that the movie wasn't a linear path, it's just that too many scenes had zero resolution.
 
Carey Mulligan who played Irene, the "love interest", whom the whole tale surrounds was less impressive. It may have been that she looks twelve years old or the disconnect that such a wholesome lass could have been mixed up in such a dysfunctional life. Her character seemed out of place, a little too much of  a sweetheart.

It was the gratuitous violence that finally got to me. The Gosling character (whose name we never learn) went from a quiet, brooding young man with a heart of gold to a robotic killer in one short scene. His talent for killing and unprovoked violence rivals any government trained super agent with none of the background character development that would help the audience understand how he became so cold and efficient.

Unlike a Tarantino movie this movie had none of the ironic humor to help take the edge off the shocking violence, not that humor was ever called for in Drive. It did, however, have some of the visual and stylistic feel of a Tarantino film, and the soundtrack was very good. In the end that you ultimately don't care about any of the characters leaves an empty space in your queasy gut.

That the movie sticks with me means it had some impact - seeing Albert Brooks as the heavy was a departure from my notion of his venerable humor. Ryan Gosling will be a star someday, this performance cements that.


2 of 5 stars



CW

Thursday, September 22, 2011

Bose® IE2 In-Ear Headphones

Product
2011

I recently bought a set of Bose® IE2 In-Ear Headphones strictly for use with my IPod. I have had the $179.00 OnEar Bose Headphones for several years and was reticent to "go backwards" in sound quality despite my desire to walk in public without the bulky head strap and large ear covering speakers. Most cheap(er) ear buds have sub-par sound, but worse they constantly fall out or need to be repositioned. The ones that ship with the IPod are terrible.

Bose has long been associated with innovation, quality, and great sound. They have also been associated with high prices. The company has fostered a cult-like exclusivity, a step above the riff raff mentality not unlike Apple or BMW or other high end products where price is the barrier to getting in. Only recently have we found Bose products in big box stores like Target and Best Buy. Despite being on a discounter's shelf Bose does not deal. The Bose® IE2 In-Ear Headphones are $99 everywhere, including online.

The question then is: are they worth $99?

Considering the cost of manufacturing is likely to be less than $15 a unit then $99 seems a bit high... On the plus side they sound very good. There is a good balance between bass, mids and highs that do justice to the source material. Is the sound far superior to cheaper earphones? No. There are several earphones that are on par with the Bose product and some like the Shure SE530 are much cheaper. The Sennheiser CX300 and the Klipsch Si4 also sound very good and while more expensive they offer sound isolation that seems to be the number one compliant of the Bose® IE2 In-Ear Headphones.

The lack of sound isolation is a choice, and the product packaging is clear about that. For those commuting on a noisy train or bus these are probably not for you. Myself, I like the fact that I hear a bus or the rampaging dog coming.

Finally, the issue of unstable ear buds is answered by the Bose® IE2 In-Ear Headphones. The addition of "Stayhear" foams built with a hook that provides outward pressure within the ear cup keeps the ear buds in place. Most of the customers who bought these for use during physical activity are quite satisfied. I have not had any trouble at all with these plugs falling out or becoming skewed in my ear to where the music is out of balance - a constant struggle with other ear buds.

Bottom line: $99 seems high, but then I believe all Bose products are over-priced. $50 seems reasonable, but I am satisfied with the sound and stability, which were the two most important attributes. I do not feel like I was taken.

4 of 5 stars

CW


Wednesday, September 21, 2011

Super 8

Movie
2011


Basically I loved this movie. It brought to mind the best of what we remember about our childhood - the wonder, the awe and discovery. It had all the elements of a great Sci-Fi movie -  excitement, wonderment, suspense, a great alien alien and, of course, an evil government conspiracy.

The child actors were especially good. Joel Courtney as Joe Lamb, the grieving son whose mother was killed in a work accident as the movie opened was spectacular. As was Elle Fanning as Alice Dainard, the older girl the little geeks couldn't believe would even talk to them let alone agree act in their super 8 movie.

Taking place in the summer of 1979, in a small Ohio town where the kids witness a spectacular train crash while shooting a super 8 movie at the depot. It was soon clear that it couldn't have been an accident when unusual disappearances and strange events begin to take place all over town. Deputy Lamb, Joe's father, played by Kyle Chandler, is desparate to uncover the truth - and save his son.

Super 8 was well paced and the plot had enough depth for the audience to chew on that it never had to rely on one dimensional, gratuitous violence. My single gripe was the decision to shoot the film with the qualities of "super 8" film. The grainy nature of the small format and indistinct darkness became bothersome after a while. It did not, however, hamper my enjoyment.

4 of 5 stars 


CW





Friday, September 16, 2011

The Big Short: Inside the Doomsday Machine by Michael Lewis

Book
2010

NOTE: This is a very long review because the subject of the 2008 Financial Crisis is deep, wide and complicated - please read on.

Where to start?

In late 2008 when the TARP bill was being debated I was thoroughly confused. What the heck was a credit crisis anyway? I wasn't the only one who was confused to be sure, in fact, I would wager that 98% of Congress - the people voting on the bill - were too. The financial system had cracked and was spilling out all over the place. Wall Street, Main Street and every street from Berlin to Tokyo was affected. In retrospect it's entirely possible that TARP saved the world from complete disaster although we will never really know because we can't go back and replay what might have happened had TARP never passed. It's also entirely possible, even probable that it was the greatest fraud ever perpetrated.

What actually happened is not easy to explain and even harder to understand technically, but in simple terms greed and mass psychosis cast a pall over Wall Street that prompted a fairy-tale like reaction among the few peripheral players that had tossed their blinders aside. As light began to shine on the inner workings of a handful of massive Wall Street firms at different times and in different ways these players realized that the Emperor actually had no clothes.

With The Big Short Michael Lewis, a former Wall Streeter himself spins a tale of the few men who saw the whole thing coming. Even while they were setting themselves up to make a profit by throwing rocks at glass houses they were for all intents and purposes shouting at the top of their lungs that something terrible was about to happen. But nobody would listen...

Mike Burry, a doctor turned investment adviser, Steve Eisman, a cranky, tell-it-like-it-is analyst, a tiny California firm called Cornwall Capital and an employee of Deutsche Bank, Gregg Lippmann stood at the center of the financial storm of the century. These guys were not men in white shining armor, but neither were they responsible for the pain we are all suffering to this day as our home values continue to fall and our economy struggles to keep it's head above the water.

The scoundrels in this story are plenty...

As the subprime market evolved the complexity of the financial vehicles and game playing by firms like Goldman Sachs, Bear Stearns, Merrill Lynch, Lehman Brothers, Bank of America and Citigroup became so mysterious that the under-manned, under-trained Federal regulators stood no chance. When you learn the final authority, namely the two ratings agencies of Moody's and Standard and Poor's were no better trained and no better paid than the Feds - no one stood a chance.

Nothing was on the level. Not to overlook the people who took loans they knew they could never pay back, but it was the mortgage originators pushing booby-trapped loans on the lower middle class that were particularly slimy. Add the pure greed of the Wall Street bond market, their complicated schemes for packaging and selling junk to unwary traders and the delusion that the housing market would go up in value forever and the perfect storm was brewing.

This is where Mike Burry came in. His knack was in seeing things clearly. This was because he did his homework - actually reading "the prospectus" and pouring over the boring details in the fine print. From day one he knew something was terribly wrong with the subprime mortgage business. The big firms on Wall Street were packaging mortgages in investment vehicles called mortgage-backed securities and selling them without the buyers knowing what was actually in them. This got Burry's attention. The more he looked the more convinced he was that these things were a time bomb for the investor. He wanted to bet against them in a big way. He approached different firms looking to buy "insurance" against the possibility of these mortgages defaulting. For a small premium Burry would buy what became known as a Credit Default Swap and the middlemen at Goldman Sachs and other brokers would take a small fee. For Goldman Sachs it was like taking candy from a baby and then getting the baby to pay them for stealing it. Burry would be paid when a certain percentage of the mortgages in any one of the mortgage backed bonds went into default.

Soon every big Wall Street firm and most the super large banks worldwide got in the game. CDO's or Collateralized Debt Obligations were bundles of these mortgage backed securities that the big firms put together and then sent up to the ratings agency for a bond rating. Neither Moody's nor Standard and Poor's had any better idea what was in the CDO's than next guy, so in a sense the ratings were meaningless - except that the higher the rating the more confidence the investor had that it would never go bad. The dirty secret was that regardless of what was in the CDO's they were getting AAA ratings.

Eventually Gregg Lippmann of Deutsche Bank caught on to what Mike Burry was doing and he began a campaign to get investors interested in credit default swaps. Mostly people thought he was crazy for betting that the subprime market was a fraud and would eventually collapse. There were a few for whom the light-bulb flickered. I say flicker because even as they bought into Lippmann's ideas they were still mostly in the dark convinced that what Lippmann said and what Burry knew was just too good to be true. All they had to do was hold the line for a few years with these insurance policies in their hands and their payday would come in spades. The trigger would be falling housing values, the bet was that they couldn't go up forever.

Steve Eisman, skeptical of Wall Street and Lippmann from the start could find no evidence that the whole subprime market was anything but a fantasy. His style was to challenge everyone for details and justification for the seemingly ridiculous level of confidence in the housing and mortgage markets. In California the operators of Cornwall Capital, a firm so small no one on Wall Street would even talk to them, scratched an clawed their way into Lippmann's world having no idea what they were doing - convinced that they had to be missing something. It couldn't be this easy, could it?

When it happened - housing values started to fall - nothing much happened. The world went on. Wall Street went on. Subprime mortgage fraud went on. It was still a year or so away from when a majority on the teaser rate mortgages would start to fail in large numbers. For the next 18 months the people betting short on the subprime market were either questioning themselves or being questioned by their investors convinced they were either fools or thieves. With just a few months left in 2007 the calls came pouring in. The big Wall Street players who had treated the short sellers like chumps suddenly wanted in and were willing to pay big for credit default swaps.

The rest is history, we all lived through it. Burry, Eisman, Cornwall Capital and the rest made at lot of money. Wall Street firms one by one crashed and burned. Eventually the whole credit system went belly up. But none of them felt vindicated, no one was happy with the way it went down. Burry quit the business, Eisman became a kind a caring man for the first time in his life. These men were who had been right all along and tried telling the world were changed. Oddly, sadly, Wall Street wasn't changed.

Michael Lewis doesn't even get into the government and regulatory villains until the epilogue, but this book wasn't about the headlines it was a story about being there in the midst of it all. To that end Lewis succeeds brilliantly. It was a nonfiction book that was hard to put down - and that's rare. Sadly, Lewis concludes that what is strange and complicated about the whole affair is that all the important people on both sides of the subprime gamble left the table rich. The rest of us unimportant schleps got screwed and we are still paying the price to this day.

The biggest slap in the face was that the TARP money was paid to make everyone's bad bets good. No one lost their jobs who should have (including the Congressmen who fostered this debacle), no one was sent to jail for fraud. AIG, Goldman Sachs, Citigroup and Bank of America were given billions with nothing asked in return, nothing. Bonuses were paid with TARP funds. Government stimulus money paid off the outrageous 40:1 bets made by AIG and the worst part of it all is that nothing has been structurally changed. On Wall Street it's business as usual, looking for the next scam to screw us with.

We continue to struggle with joblessness, lack of investment, and diminished outlooks for the next generation. Governments face crushing deficits and the middle class is squeezed. I repeat: on Wall Street it's business as usual - busy looking for the next scam to screw us all with.


*** Editorial ***
I used to think what went on with regards to Wall Street, as mysterious as it was , was necessary for our system and our way of life. It's not. The legitimate functions of equities trading and bond trading have been superseded by those who have only self interested hyper-greed in their hearts. Maybe it's always been that way, who am I kidding, but these pricks in DC shouldn't be feeding these pricks on Wall Street.


4 of 5 stars

CW

Thursday, September 15, 2011

Shooter (movie), Point of Impact (book) by Stephen Hunter

Movie
Book
reviewed in 2007

First off the book is a genuine 5 star effort by Stephen Hunter. Everyone I have talked to who read the book just loves Bob the Nailer. Bobby Lee Swagger is an ex-military sniper who was the best in the game. Wounded and destined for a life in pain he retreats to the hills to live quietly and alone but for a loyal dog and his arsenal of guns. When a secret quasi-government agency employs a profiler to find the right man for a set-up of epic proportion Swagger unwittingly takes the bait.

"Point of Impact" is a gripping page turner with a great sense of pacing and just enough (relevant) plot lines to keep it interesting without burdening the reader with fluff and filler.

I didn't get the sense that the author was trying to make any deep personal political statements via the hero, Bobby Lee Swagger. Using a tried and true plot point of the secret out of control entity tied to the shadow government as the primary villain was just good fun. In fact, it is one of the rare novels with which I haven't any quibbles - at all. It comes highly recommended by yours truly and hundreds of reviewers at Amazon.com where it received a unequivocal 5 star rating!


The movie version, which was renamed "Shooter" (probably as not to confuse audiences with a title that could be construed as a Steven Segal flick) gets an A for effort and a D for execution. The screenplay tried valiantly to touch on the most important plot points. Unfortunately the movie failed more often than not to convey the true nature of Bob the Nailer, and frankly, all the other characters too. Wahlberg is a decent enough actor but was badly miscast - or simply failed to capture the calm and grace of Swagger as written in the book. Danny Glover, who stinks in anything without Mel Gibson, was just terrible as the principal antagonist.

This movie deserved to be a long 3 hour epic instead of the typical bang, bang action thriller. This is not to say the novel wasn't an action thriller, it was. But it was anything but typical.

If you don't read the book and see this movie please don't let that convince you that Bob the Nailer is just another action hero. Swagger is a complex character who could have been a bitter man, but never lost the sense of his place in the big picture when he chose to simply fade away. The one thing you should take away from the movie and the book is that you don't want to mess with a man like Bob the Nailer!

(movie) 2 of 5 stars
(book) 5 of 5 stars

CW




Amar Es Combatir - Mana

Music
2008

"Ojala Pudiera Borrarte" makes my heart light up every time I hear it. I haven't a clue what it's about, but it's simply a beautiful, almost spiritual song for me. I know some have criticized Mana for not breaking any new ground with this album, I disagree. This is their most well rounded album yet. It highlights how versatile these fine writers and musicians really are. Every song was impeccably recorded and yet not so overly processed that I grew tired of it. This is not always true in these days of digital recording.

Mana is an acclaimed rock band from Mexico that came across my radar a few years ago. Although I can make out only a handful of words (I don't speak Spanish) I find the music captivating and original. I have spent time with ¿Dónde Jugarán los Niños? and Cuando los Ángeles Lloran, two albums from the 90's that sharpened my appreciation for this Grammy Award winning band.

On Amar Es Combatir "Labios Compartidos" and "Somos Mar y Arena" round out my three favorite songs. This CD has spent alot of time in the car - excellent driving music. Needless to say I recommend Amar Es Combatir wholeheartedly!

4 of 5 stars

CW

Wednesday, September 14, 2011

Amnesiac - Radiohead

Music
reviewed in 2008

What a complete disappointment. I bought this CD from the bargain bin and still feel I was ripped off.

I started with the excitement of having some new Radiohead music for my collection since I nearly wore the bits and bytes off my first Radiohead CD, "The Bends". The Bends is spectacular. Amnesiac is not. Sorry, but there is absolutely nothing to say regarding this collection of discomfited sounds and vocal exercises that would be remotely positive. I've said too much already.

1 of 5 stars

CW